1718--93
Swedish painter and pastellist, active in Germany and France. He trained with Lars Ehrenbill (1697-1747), a draughtsman employed by the Admiralty in Malmö, and in Stockholm under Georg Engelhardt Schräder (1684-1750), a portrait painter working in the tradition of Hyacinthe Rigaud and Nicolas de Largillierre. In 1741 Roslin moved to Göteborg, but the following year he returned to Malmö, where he executed devotional works for the parish church of Hasslöv, Halland, and began establishing himself as a portrait painter. Related Paintings of Alexander Roslin :. | Isabella | carl fredrik adelcrantz | Portrait of Ekaterina Chernesheva | Portrait of I.I Betskoy | The Jewish Fiddle player | Related Artists:
HALS, FransDutch painter (b. 1580, Antwerpen, d. 1666, Haarlem).
Nuzi, AllegrettoItalian, 1320-1373
.Italian painter. He was probably trained in Fabriano by local masters who introduced him indirectly to Giottesque and Sienese influences. Familiarity with the work of an anonymous artist responsible for the frescoes (Urbino, Pal. Ducale) from S Biagio in Caprile also contributed to his early style. Nuzi's first signed and dated work is a Maest? of 1345, believed to have been painted for S Domenico (formerly S Lucia) in Fabriano. This altarpiece is a close contemporary of two frescoes in the sacristy of the same church, which have been ascribed to his hand following their restoration in the mid-1970s (Donnini, 1975).
BERCKHEYDE, Job AdriaenszDutch painter (b. 1630, Haarlem, d. 1693, Haarlem).
He was apprenticed on 2 November 1644 to Jacob Willemsz. de Wet, whose influence is apparent in his first dated canvas, Christ Preaching to the Children (1661; Schwerin, Staatl. Mus.), one of the few biblical scenes in his oeuvre. On 10 June 1653 he repaid a loan from the Haarlem Guild of St Luke, which he subsequently joined on 10 March 1654. During his stay in Heidelberg, Job painted portraits and hunting scenes at the court of the Elector Palatine, who rewarded him with a gold chain, perhaps the one he wears in his early Self-portrait (c. 1655; Haarlem, Frans Halsmus.), his only documented work from the 1650s. Job is better known for his later work, which consists mainly of interior views of St Bavo's church in Haarlem and simple genre scenes recalling those of his Haarlem contemporaries Adriaen van Ostade and Jan Steen.